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As Shapiro writes, it is important to move away from any residual individual isolationism involved in the artistic project towards understanding artistic practice in contexts and discursive practices.
It is within the discursive practices of an episteme that phenome- nological experiences are exchanged and co-emerge using a wide va- riety of communicative modes in art, science, and philosophy.
Although Foucault stated his position against phenome- nology in the Foreword to the English translation of The Order of Things, both he and Merleau-Ponty were located in the same episteme, and so the differences in their positions formed a mutually reinforcing discursive practice, not a simple binary, and I see this in the synergy that exists between phenomenological intersubjectivity (Dennet calls this heterophenomenology) and Foucault's concept of discursive practices and the cooperation of these approaches overcome the notion of the artistic genius working in isolation.
Indeed, he reaches out to the landscape of the world, consciousness of the landscape and the intervening discursive practices of other artists who have attempted similar intersubjective acts.
40 A complex set of coordinates which designate discursive practices of agency including the art object, artist, patron, and recipient, with a sliding index that indicates
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